Image acknowledgements


Thanks to the following organisations for permission to use images on this website:


Barbican

Collection of Jill A. Wiltse and H. Kirk Brown III, Denver

John Lewis Partnership

Mitchell Beazley

Royal Air Force Museum Hendon

twentytwentyone

V&A Museum

Whitworth Art Gallery


All other images are from Robin and Lucienne Day Foundation archives.


Images may not be reproduced without prior written permission.



Text copyright


© Lesley Jackson and Paula Day 2014

Robin Day
1960s

Of all Robin’s designs, the one that has made the greatest impact is the Polypropylene Chair. The first chair to harness the potential of injection-moulded polypropylene, its one-piece seat is subtly sculptural, as well as light, strong, durable and cheap. The plastic shell has ingenious features such as integrally moulded casings for self-tapping screws for attaching the legs to the seat. Multi-functionalism and economy are central to the continuing success of this remarkable design.

Robin’s other furniture became increasingly architectural in character during the 1960s. His desks and settees took on crisp rectilinear structures, their square section tubular steel frames complementing the geometry of modern buildings. Robin’s radio and television designs for Pye adopted a similar aesthetic on a smaller scale.

Always adaptable, Robin also created robust elegant designs in wood, notably in his furniture for Churchill College, Cambridge in 1964, one of the most important new university buildings of the decade.

Robin Day working on the Polypropylene Armchair, c.1967

Photo: Tony Mann

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